The entire wikipedia with video and photo galleries for each article. Find something interesting to watch in seconds. Gertie the Dinosaur. Navigation Word definitions Rhyming Anagram solver Word unscrambler Words starting with Words ending with Words containing letters Words by mask. · When this specimen was first discovered it was nicknamed "Gertie" after Gertie the Dinosaur and. and its technical quality is. This definition. Zenas Winsor McCay (c. 1867–71 or. Gertie the Dinosaur debuted in February 1914 as part of McCay's vaudeville act. In contrast to the high level of skill in.

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Winsor Mc. Cay - Wikipedia. Zenas Winsor Mc. Cay (c. 1. September 2. 6, 1. July 2. 6, 1. 93. American cartoonist and animator.

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He is best known for the comic strip Little Nemo (1. Gertie the Dinosaur (1. For contractual reasons, he worked under the pen name Silas on the comic strip Dream of the Rarebit Fiend. From a young age, Mc. Cay was a quick, prolific, and technically dextrous artist. He started his professional career making posters and performing for dime museums, and began illustrating newspapers and magazines in 1. He joined the New York Herald in 1.

Little Sammy Sneeze and Dream of the Rarebit Fiend. In 1. 90. 5, his signature strip Little Nemo in Slumberland debuted, a fantasy strip in an Art Nouveau style, about a young boy and his adventurous dreams. The strip demonstrated Mc. Cay's strong graphic sense and mastery of color and linear perspective. Mc. Cay experimented with the formal elements of the comic strip page, arranging and sizing panels to increase impact and enhance the narrative. Mc. Cay also produced numerous detailed editorial cartoons and was a popular performer of chalk talks on the vaudeville circuit. Mc. Cay was an early animation pioneer; between 1.

The first three served in his vaudeville act; Gertie the Dinosaur was an interactive routine in which Mc. Cay appeared to give orders to a trained dinosaur. Mc. Cay and his assistants worked for twenty- two months on his most ambitious film, The Sinking of the Lusitania (1.

German torpedoing in 1. RMS Lusitania. Lusitania did not enjoy as much commercial success as the earlier films, and Mc. Cay's later movies attracted little attention. His animation, vaudeville, and comic strip work was gradually curtailed as newspaper magnate William Randolph Hearst, his employer since 1. Mc. Cay to devote his energies to editorial illustrations. In his drawing, Mc.

Cay made bold, prodigious use of linear perspective, particularly in detailed architecture and cityscapes. He textured his editorial cartoons with copious fine hatching, and made color a central element in Little Nemo.

His comic strip work has influenced generations of cartoonists and illustrators. The technical level of Mc. Cay's animation—its naturalism, smoothness, and scale—was unmatched until Walt Disney's feature films arrived in the 1. He pioneered inbetweening, the use of registration marks, cycling, and other animation techniques that were to become standard. Personal history[edit]Family history[edit]Mc.

Cay's paternal grandparents, farmers Donald and Christiana Mc. Kay, immigrated from Scotland to Upper Canada[a] in the mid- 1. Mc. Cay's father, Robert Mc. Kay (1. 84. 0 – March 2. Woodstock, Upper Canada, the third of six children. Mc. Cay's maternal grandparents, Peter and Mary Murray, were also Scottish immigrants, and settled as farmers in East Zorra in Upper Canada. Their daughter Janet was the third of nine children.

Robert was a member of King Solomon's No. 4. Masonic Lodge in Woodstock.[4] In 1. Robert first traveled to the U. S. Robert and the twenty- five- year- old Janet married on January 8, 1. Woodstock's Methodist Episcopal Church. The couple moved across the Canada–US border later in the year and settled in Spring Lake, Michigan, on the eastern coast of Lake Michigan.

Robert was employed by American entrepreneur Zenas G. Winsor (1. 81. 4–1. Canada. Records of Mc. Cay's birth are not extant.

He stated in an interview in 1. Late in life, he told friends he was born September 2. Spring Lake, and they published this information in a magazine.

Michigan census records from 1. Zenas W. Mc. Kay, who was born in Canada in 1. No Canadian birth record has been found, and a fire in Spring Lake in May 1. American birth record he may have had. His obituary in the New York Herald Tribune stated, "not even Mr.

Mc. Cay knew his exact age". The Mc. Cays had two more children: Arthur in 1. Mae in 1. 87. 6. Both were born in Michigan. Robert worked as a teamster under Winsor, and by May 1. From 1. 87. 9 to 1. In 1. 88. 5 he moved the family to Stanton, Michigan, and expanded his land holdings; he was successful in real estate with his brother Hugh, who moved from Canada in 1.

By 1. 90. 5, Robert was also a notary public. He had settled in Edmore, Michigan, and by this point had changed the spelling of his surname from "Mc.

Kay" to "Mc. Cay". His son related this story about the change: "Three Scotsmen of the clan Mc. Kay were looking for a fourth member to fight four members of the Irish clan Magee .. I'm not one of you,' my father pointed out. You see, I'm one of the clan M- c- C- A- Y.' And that is how I got both my name and my sense of humor."Early life[edit]"I just couldn't stop drawing anything and everything."Winsor Mc.

Cay. Mc. Cay came to be known by his middle name, Winsor. His drawing skills emerged early. According to a story told within the family, Mc. Cay made his first drawing in the aftermath of one of the many fires that hit Spring Lake: he picked up a nail and etched the scene of the fire in the frost of a windowpane. Drawing became obsessive for him; he drew anything he saw, and the level of detail and accuracy in his drawing was noted at a young age. He was able to draw accurately from memory even things he had never before drawn—what Mc. Cay called "memory sketching".

His father thought little of his son's artistic talents, though, and had him sent to Cleary Business College in Ypsilanti, Michigan. Mc. Cay rarely attended classes. He bragged about how he would catch the train to Detroit to show off his drawing skills at the Wonderland and Eden Musee dime museum. He drew portraits there for 2. Mc. Cay thrived on the attention he received, and his talents soon drew wider attention. John Goodison, a geography and drawing professor at Michigan state Normal School, offered to teach art to Mc. Cay privately, and Mc.

Cay eagerly accepted. The lessons were practical and focused on using observation to learn to draw in geometrical perspective. Goodison, a former glass stainer, influenced Mc. Watch Heavenly Sword Online Full Movie. Cay's use of color. Mc. Cay learned how to draw quickly using drills on a blackboard, and gained an appreciation for master artists of the past.

Early career (1. 88. Mc. Cay spent two years in Chicago after making his way there sometime in 1.

Mort Touvers. He traded art techniques there with painter Jules Guérin, whom he met at a boarding house in which he lodged, and did artwork for posters and pamphlets at the National Printing and Engraving Company. Mc. Cay did editorial cartoons early in his career (1. In 1. 89. 1, Mc. Cay moved to Cincinnati, where he did more dime museum work while living in a boarding house near his workplace. He spent nine years making posters and other advertisements for the Kohl & Middleton Dime Museum,[b] and later Heck and Avery's Family Theater (1. Avery's New Dime Museum (1.

Will S. Heck's Wonder World and Theater (1. Vine Street. At the museum in 1. Watch Scandal Episode 13 there. Thomas Edison's Vitascope was given, which was likely Mc. Watch Last Knights Putlocker.

Cay's first exposure to the young medium of film. He also did work during this time for Ph. Morton's printing and lithography company. Mc. Cay's ability to draw quickly with great accuracy drew crowds when he painted advertisements in public.

His first year at Kohl & Middleton, Mc. Cay was smitten when Maude Leonore Dufour walked into the dime museum with her sister while he was painting. He rushed to his studio to change into a custom- tailored suit, returned, and introduced himself to the fourteen- year- old Maude. Soon they eloped in Covington, Kentucky. Mc. Cay began working on the side for the Cincinnati Commercial Tribune, where he learned to draw with a dip pen under the tutelage of Commercial Tribune art room manager Joseph Alexander. In 1. 89. 8, he accepted a full- time position there. His many illustrations for the paper displayed his bold use of perspective and mastery of hatchwork.

Soon after, he began freelancing for the humor magazine Life as well. In 1. 90. 0, Mc. Cay accepted a position with a higher salary at The Cincinnati Enquirer.